[B&E CD][Dresden] [O Death iTunes][CD Reviews] [Pick of the Week] [O Death CD] [Bang On A Can Premiere] [Old Archives] [London, Jan 2010] [C:T] [Nov/Dec 2009 Perf] [BOAC] [Interview and an Article][Rec Session Photos][Summer Projects][Peabody][O Death Euro Prem][March 2009][New Recordings][New Sounds Podcast][September 2008][August 2008] [July 2008] [April 2008] [Nov 2007][O Death] [May] [Mr Brown (Dec)] [July][Ligeti] [April]

 

New Recording Posted

I just posted a recording of my piano/percussion piece for Danny Holt. Danny has played it a number of times, but this is a live recording from the L.A performance that I attended last month. At some point I'll post a photo of the wierd and wonderful set-up required for the piece, but for the meantime, there recording on my sounds page will have to do.

 

L.A. Phil Commission Announced

My next project, I am very happy to say, is a commission from the Los Angeles Philharmonic for their Green Umbrella series. The new piece,the premiere of which will take place on April 10, 2012, is for the L.A. Phil New Music Group, Conducted by John Adams.

 

New Music Box Article/Video Interview & New Recording

I was recently interviewed for New Music Box. You can read the article and view the video here: http://newmusicbox.org/article.nmbx?id=6695.
I've also just added a live recording of my new piece for Four Drum Kits: "Four Drums for Dresden" on my sounds page. As I'm off on my travels, this is likely the last post for 2010. There are some really exciting projects in the works for 2011 that will be announced soon, so please stay tuned either here or on twitter: http://twitter.com/#!/OscarBettison

 

B&E on New Amsterdam Records

B&E (with aggravated assault) was released in November as part of Newspeak's debut CD on New Amsterdam Records. It's a terrific album and I'm thrilled with the way it sounds. It's available at a lot of places but, perhaps the most obvious is here: https://www.newamsterdamrecords.com/#Album/sweet_light_crude
It's also available on iTunes: http://itunes.apple.com/us/album/sweet-light-crude/id400737033

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Drum-Kit Quartet Premiere

I was thrilled by the Drum-Kit Quartet premiere in Dresden. Thanks to fantastic players and the wonderful Hellerau Festival, I don't think it could have been any better. I hope to have a recording of the piece very soon, and once I do, I'll post it to the sounds page. In the meantime other projects are in the works, so I'd better get back to work.

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New Video Added

I've just uploaded video of two performances of my multi-piano piece "Liminal" as performed in The Roundhouse, London in January of this year. The piece is scored for six pianos, percussion and audience percussion and was performed twice in the concert, once at the begining and once at the end. I've uploaded both versions, although I prefer the second. I'm currently working on a new version of this piece for two pianos and two keyboards (sans percussion) which, I hope, will be slightly less unwieldy.

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Dresden Premiere, Oct 2010

I'm going to Dresden soon for the premiere of a new piece that has been occupying me for the last few months. It's for four drum-kits and was especially written for the principal percussionists of four of Europe's leading new music ensembles: Lukas Schiske from Klangforum Wien, Rainer Römer from Ensemble Modern, Dirk Rothbrust from Musikfabrik and Gerrit Nulens from Ictus. "Four Drums For Dresden" was commissioned by Hellerau and will be premiered there on October 3rd as part of the Tonlagen Festival.

Here's a link to the concert (in German): http://www.hellerau.org/spielplan/programm/tonlagen-2010/tonlagen--batterie-drumset/

and the festival: http://www.hellerau.org/spielplan/programm/tonlagen-2010/

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O Death now on iTunes

Just a quick announcement that 'O Death' is now available on iTunes. Here's the link: http://itunes.apple.com/us/album/o-death-oscar-bettison/id376564462

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CD Reviews

I'm very happy with the response that the CD has received. There have been great reviews on both sides of the Atlantic including a 5-star review in the NRC Handelsblad, one of Holland's leading broadsheets. Here's one from the Baltimore City Paper: http://www.citypaper.com/music/review.asp?rid=15973

Tracks from the album are available for streaming on the website 22 Tracks: http://www.22tracks.com/#/contemporary/ in fact, they seem to like it so much that they've added extra tracks so, at the moment, the whole album can be streamed there.

Writing continues apace. I'm working on a couple of things that are due for performance quite soon in various places. Indeed, I just realised that the other day, almost at the same time as a new piece of mine was being performed in California, sketches of an unfinished piece were being rehearsed/workshopped in Germany. Looking at a globe I was somewhere in the middle.

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CD "Pick of the Week" on Soundcheck

I just got back from Holland, dodging a volcano, where BOAC played my new piece. Upon arrival, I was greeted with some good news. The CD has barely come out and I'm thrilled with the respose it has received. I just found out that the CD of "O Death" was John Schaefer's Pick or the Week on WNYC's Soundcheck. Here's a link: http://culture.wnyc.org/articles/music-hub/2010/apr/16/soundcheck-cd-picks-week/

John Schaefer also featured the CD on his New Sounds show on April 15th: http://www.wnyc.org/shows/newsounds/episodes/2010/04/15

 

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O Death CD Now Available

I am thrilled to announce that the CD of "O Death" has just been released. I recently received advance copies and I am extremely happy with how it turned out. The CD is available from Ensemble Klang's online shop here:: http://music.ensembleklang.com/album/o-death-oscar-bettison where you can also stream the entire album. Each purchase comes with a free download. The entire album can also be streamed from my sounds page.

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Bang On A Can European US/EU Premiere

My new piece for the Bang On A Can All-Stars, "The Afflicted Girl", commissioned through their "People's Commissioning Fund" was premiered on Feb 24th in NYC. I was extremely pleased with how it went and I must say that it was an absolute pleasure working with them. The also gave the European Premeiere on April 13th in The Hague. To hear the piece please go to my sounds page.

 

 

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Old Archives

I recently found a few old recordings of ancient pieces of mine on cassette tapes. Cassette tapes were something that people used in the olden days to record and distribute music before better means of piracy were invented. Anyway, through the wonders on modern technology, I converted them to Mp3 and have posted them on my sounds page. The newest of these is an arrangement I made back in 1998 (I think), the oldest of which was my first orchestral piece written when I was sixteen!

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London, Jan 2010

My recent project for six pianos,entitled 'Liminal" was performed as the finale of the Reverb Series in the Roundhouse on January 31st in London. The concert, was curated and lead by Rolf Hind and featured works for multiple pianos by a whole host of composers. If you'd like to know more about the compositional process in fulfilling this somewhat odd commission you can read about it here: http://www.compositiontoday.com/blog/49.asp

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C:T

I've joined Composition:Today as a guest blogger, I'll be writing about all sorts of things that interest me, but my first blog entry is about creativity tools and strategies for composers. I've added this to my links page, but as it's current news I thought I'd add a little something about it here too. Here's a link: http://www.compositiontoday.com

In other news work continues apace, so much so that I might not get around to posting new recordings of various things for a while. Once I get a moment I will, as there's at least two brand new live recordings to post.

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November/December, 2009 Performances

Ensemble Klang premiered my new piece for them, ppopp, on October 11th as part of the Nederlanse Muziekdagen (Netherlands Music Days) and will perform O Death in its entirity in Theater Kikker, Utrecht on December 3rd. Here's a link to the Utrecht show: http://www.theaterkikker.nl/agenda/1039//rumor/

On the other side of the pond, Courtney Orlando from Alarm Will Sound, gave the world premiere of my piece for solo detuned violin, Neolithic Airs on December 7th.

Ensemble Klang's recording of O Death is due to be released soon, and I'll be sure to post release news as soon as I get it.

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Bang on a Can Commission

I've just started work on a new commission for the legendary Bang on a Can All-Stars for their 2010 People's Commissioning Concert, which, needless to say, I'm very excited about. The premiere will take place on February 24, 2010 at Merkin Hall, NYC.

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Interview and an Article

There are a couple of things up on the net about my music. I recently did an interview with Composition Today which can be found here: http://www.compositiontoday.com/interviews/oscar_bettison.asp. There's also a great article on my piece Gauze Vespers on the Loose Filter Project: [link] Apart from that, the CD of O Death is very much in the works (I've seen the cover-art) and should be out in the next couple of months.

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Recording Session Photos

I've added some photos from the recording session of O Death (see images.) Seeing as these are the first new images I've added to this website for almost four years, this is quite an event.

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Summer 2009 Projects

I have a few projects on this summer, the first of which is a new piece commissioned by the Yvar Mikhashoff Trust for pianist/percussionist extraordinaire Danny Holt. The piece will feature Danny playing piano and percussion simultaneously. It's going to be a tricky to write and more than a little tricky to play I'm sure, but, as any one who has heard my music knows, it's definitely the kind of thing that I love doing. The premiere will take place sometime early next year in Los Angeles and other cities yet to be announced...

After that, I'm going to start on a new piece for Ensemble Klang for their One-Song Song Cycle Project. This project due to be performed as part of the Nederlands Muziek Dagen '09 (Netherlands Music Days '09) involves ten composers representing such diverse countries as South Korea, Mexico, the US, Argentina and Sweden responding to and/or setting the same newly written text by one of Holland's leading poets, Ilja Leonard Pfeijffer. The performance will take place in the Muziekgebouw aan ’t IJ, Amsterdam on October 11th and will be broadcast on Dutch radio.

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Peabody

I'm very happy to announce that I'll be joining the composition faculty at the Peabody Institute of the Johns Hopkins University this fall (autumn for those of you on the other side of the pond.) Here's a link to the composition website.

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European Premiere of O Death/New Sounds

Ensemble Klang gave the European Premiere of 'O Death' on May 19th in the Korzo Theater, Den Haag. The day after the premiere Klang recorded 'O Death' as part of their composer portrait series, a set of CD portraits of Tom Johnson, Peter Adriaansz and yours truly. I'm honoured to be in such company.

Lastly, I'm happy to say that my music featured on New Sounds again. This time John Schaefer played extracts from Gauze Vespers and O Death. Here's a link; this can downloaded as a podcast too.

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March 2009

The amazing California Ear Unit gave the west coast premiere of 'Gauze Vespers' in their concert at REDCAT, Disney Hall, Los Angeles on March 21st. I was very happy with the performance and it was an especially nice event for me as it was the first time that my music has been performed on the west coast.

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New Recordings

I've just posted two new recordings. The first is a new live recording of Ensemble Klang performing the sixth movement of 'O Death', 'I Believe I'm Sinking Down'; the second a new studio recording of SOIL playing 'Gauze Vespers'. I've put excerpts of them on my myspace page, but, as always, they're posted in full here on my sounds page.

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'O Death' Podcast on New Sounds, WNYC.

In October, 'O Death' was featured on WNYC's New Sounds show. It is now available for streaming and as a podcast: here. For those of you unfamiliar with New Sounds it's a really fantastic programme and I'm honoured that they're featuring my music.

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September 2008

Italy was fantastic, and I hope to have some audio evidence of the goings on at some point in the near future (I'll probably just post samples as the piece isn't finished.) To give some idea as to what I've been up to, let's just say that I've spent a lot of my time playing around with violin strings. All will be revealed.

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August 2008

I'm off travelling again, this time to Italy (Stresa to be exact) but I'm happy to say that I've managed to find time to post another recording. This is of my 1-minute signature for Ensemble Klang on the occasion of their 5th birthday. Those of us who have had the distinct pleasure of writing for them over the last five years of their existence were asked to write very brief compositional signatures for them which were then strung together in a 30-or-so minute continuity. To hear my contribution go to my sounds page.

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July 2008

I'm back from my European travels. I can happily say that Bergen was even more beautiful that I had expected, although the white-nights freaked me out a little. I mean, I'm used to late sunsets in England or Holland, but this was something else. Anyway, suffice to say it was fantastic and the ensemble that I was working with, BIT 20, were amazing too.

Lastly, if you haven't been here in a while, the latest recording I've added is my latest piece (well, almost) Gauze Vespers.

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April 2008

Wonders may never cease! I've posted a new recording and there'll be another in the coming weeks. The recording is of my piece B&E (with aggravated assault) as performed by the group that I completely rewrote it for, NEWSPEAK.

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Nov 2007

Well it's been a while. My excuse is being busy and being away. Since I last updated I've been in Aspen, Texas, Montreal and Florida, for various reasons, but mostly I've been remiss.

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O Death Premiere

Well it finally happened. The piece I've been talking about writing for the last five (sheesh!) years was performed at the end of March in NYC by Ensemble Klang [here's the flyer]. O Death took me nearly 18 months to write and ended up being nearly 70 minutes long (in seven movements.) The performances went very well indeed (Klang, nedless to say, were stunningly good) and the piece was met with the most glowing reaction that I've ever received for anything I've ever done. I was very pleasantly overwhelmed by the whole experience.

 

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April & May 2007

Loads of things have been going on in the last couple of months including going back and forth to Holland twice, a four-night run of premieres in NYC and a computer failure, so all these things have conspired to make this an un-updated website.

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Mr. Brown (December 2006)

I heard the sad, sad news on Christmas day that James Brown died. There was so much hype surrounding James Brown (much of it self-perpetuated) in his lifetime that, from a distant perspective, it was hard to take the man seriously.

In many ways James Brown is an Elvis type-figure, except that I’m pretty sure that in the last twenty years he hasn’t produced much music of note. None of these things matter in the final analysis, however. James Brown is as important a figure as Elvis except that Elvis was an imitator and James Brown was a true innovator. He was one of the figures (although there are more notable examples such as Ray Charles and Sam Cooke) that was responsible for the birth of soul, but he went on to invent funk. There are other figures that lurk in the background, such as Dyke and the Blazers, but even a cursory glance and James Brown’s early 60’s releases shows funk in the making: the three-chord-patterns or R&B are being stretched and molded, every beat apart from the 1 is being teased and pushed around. By 1964, and particularly the track Out of Sight the musical paradigm of funk had been set: the scratchy guitars, the prominence of the bass guitar and the horns and the feeling that the whole group is in some sense a huge drum-set all pulling together, this was further honed on the 1968 release I got the Feelin’, which represents a kind of apotheosis in this type of musical thinking. It was another 1968 release that showed the James Brown had also defined the extra-musical aspect of funk. Say it Loud, I’m Black and I’m Proud became a rallying call, especially in the context of Dr. Martin Luther King’s assassination and further demonstrated that funk was as forthright politically as it was musically. Of course looking at the broader picture, other figures are at least as important in the story of funk (Sly and the Family Stone and Parliament/Funkadelic being the two most important groups for funk’s nurturing and development) but it was James Brown who conceived funk.

This would be in-and-of-itself a remarkable achievement, but as funk died and disco took over, block parties were springing up in neighborhoods where underprivileged kids couldn’t go (and/or didn’t want to go) to discothèques. From this culture DJ-ing and sampling were born and thus Rap and Hip-Hop. DJ’s wanted to take a groove and stick with it and funk was a natural source for that groove. Thus James Brown’s music got a second lease-of-life through the sampling of the next generation; so much so that Funky Drummer is the most sampled record ever. Of course, I hardly need to point out that Hip-Hop has become a global phenomenon, with examples of the genre from every continent of the world bar Antarctica. At some point in 2004, I believe, Hip-Hop records dominated the top-ten positions of the US chart. Thus James Brown’s influence hovers over five decades of popular music from the 60’s to the present day, something which cannot possibly said for Elvis; Indeed something which cannot be said for any other artist. For all his faults and shortcomings and for all the hype, on December 25 th, 2006 the world lost a true innovator, an inventor and a leader. R.I.P. Mr. Brown.

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July 2006

NEWSPEAK gave a great performance of my new piece (it's actually a rewrite of an old piece, but it's so rewritten that I think I can safely call it a new piece) B&E on July 14th at Tonic in NYC. They played really well and I'm happy to say that the piece went down a storm, so happiness ensued. [UPDATE] There's a recording of this on the sounds page.

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RIP Ligeti

I've just heard the sad news that Gyorgy Ligeti died today. Obviously time will tell precisely what his legacy is, but he was one of the first contemporary composers whose work I got to know and he defined a lot of what I thought was great about post-war European contemporary music. He was a true original a maverick, and was also responsible for popularising the discovery one of my very favourite composers: Conlon Nancarrow. Perhaps above all, at the end of his life he was still discovering new sonic possibilities and his sense of drama and playfulness puts sets his music apart from that of many of his contemporaries. RIP Ligeti.

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April 2006


I was in The Netherlands in April to record/rehearse with Ensemble Klang. It was great to be back working with old friends whom I like and respect and some very good things came out of the session. The project has a long way to go, but I'm happy with the direction it's taking, and of course working with Klang is hilarious and marvelous in equal measure.

 

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Last updated 26-Apr-2011 01:47 UTC